Here's my sister and me at Late@ the Museum a couple of weeks ago. I do like the way, without actually thinking it through, we match. We were a bit sad that Norrie didn't want to know what we were wearing (just wanted to comment on our legs - which are unfortunately NOT in the picture) so I'll tell you now: Jane - oxblood crocodile platform pumps (unsure); ubiquitous black opaques probably from stall in Korea; fan print ruffled mini skirt, Top Shop, thrifted (by me - a Jacqueline Fahey moment); crew neck merino from Glassons; leather jacket from market in Florence; bag (unseen) Chloe. Me - pointy-toe witchy-poo shboots, thrifted; zambesi arabesques leggings; bow-neck mini sack dress from lovely girl at that market-y sort of shop in high street by the pumpkin patch; zambesi cord jacket (can't remember its special name); bag Louis Vuitton. Our brown/cream/coral tones with black make us look especially matchy-matchy, which is quite unusual for us . . .
This, of course was pre- Hillary controversy, with Vanda Vitali wandering around looking small, glamorous and deadly, like a mix between ol' Nuclear Wintour, your high school art teacher, and the women's studies lecturer who liked to overuse dichotomy in class discussions. I smiled broadly at her, just so she'd not think I was one of the trivial fashionistas there to view the lovely if somewhat predictable Cybele range, Halcyon. I did like this dress:but the rest of the beautiful garments were the sort of thing I always think I'd like to wear when I'm old. Which I am not, yet.
BUT Vanda Vitali is - old enough to know better than to dimiss a nation's valid concerns as ignorant noisemaking - and, one would hope, mature enough to understand that while she, and the Museum as a whole, may have finely argued professional reasons - such as correct storage, public access etc - for seeking to clarify the meaning of Sir Ed's will, to be seen to be failing to take into account the personal and public history of the Hillary family is, shall we say, unfortunate in someone who's in the business of preserving history.
As one who's entered the archives of the Museum on many occasions for work, I know the vast and amazing resources and artefacts stored there. I'm also keenly aware of current international practises regarding ensuring access for indigenous peoples to artefacts with wairua - perhaps the Hillary papers and ephemera could be regarded in this light, as containing wairua and requiring frequent handling by the whanau to preserve, share and document that spirit? Perhaps I should tweet the Prime Minister and offer my services in the dispute resolution? Trivialities aside, this conflict reflects very real concern in the museums and heritage sector (did you know we were a sector?) about the stewardship of the Auckland War Memorial Museum.
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